
To trick the eye to see the letters from another angle, she’ll turn her logos and designs upside down and look at her screen from a distance. To stress-test her overall layout and design choices she uses Adobe XD to view all UI across screens and make global changes. So, how do we ensure we are best communicating our ideas to the end user? Pieters has a few tricks she uses at the end of her design process to make sure the spacing between letters and lines is readable and scalable. When a text block is too tight, the reader can’t break through the brick of letters, or when a rag is too chunky it looks like pinched pie crust and the reader will trail off at the end of the line. The key to great UX design across multiple platforms is noticing the positive and negative space between letters and lines of text. Letters are images and shapes that have the distinct power to communicate complex ideas to the user. Breaking up the letterforms with the Pathfinder tool to add color in Adobe Illustrator. So, how does she decide? “I type the text into Adobe Fonts and analyze the letters, see how they look together.” Utilizing fonts from Adobe Fonts also ensures that her font selections will always auto load when she makes updates to new versions, opens the design files of different machines, or shares the files with the community of online collaborators. Packaging design for HERBi.Īcross all packaging labels and sprinkled throughout the UI, a small yet mighty serif font Yrsa carries the brand promise of “fresh & pure.” Had this been a wine company, Pieters says she would have chosen a fancy sophisticated script with ornate tails and descenders. Pieters complimented this striking logo with the whimsical sans-serif Bree and the highly functional Basic Sans Bold. In her everyday practice, though, she prefers edgy fonts with a lot of character for package design, as seen in her HERBi packaging.įor the HERBi logo she began with the quirky, dimensional display font, Continuo, and customized each letterform with small diagonal cuts, segmenting the sections for easy color application. So, for a book design, she’d choose a timeless and highly readable font. She’d choose fonts that match the look and feel of the brand she’s designing for. Typically, she would start making her font decisions based on the needs of the client. Finding the right character for your projectĬreating her Adobe Font pack required a bit of reverse engineering for Pieters. I usually choose a very fat bold sans-serif and a light serif.” To avoid making the serif too light, Pieters says, “Adobe XD is very handy for seeing a preview of your text block to see how readable it is on different screens.” The fictional company Pieters created, HERBi, showcases different fonts in her Adobe Font pack. Often designers make the mistake of keeping things too light. She believes, “There needs to be contrast. However, Pieters warns against choosing fonts that are too light when designing for multiple screens. A strong bold all-caps sans-serif font can communicate a header, especially when it’s juxtaposed with a more nimble serif. Using a variety of fonts in your designs can create clear visual markers for users so they know what type of content they are experiencing. Veerle almost always chooses at least one serif and sans-serif typeface for any project. Choosing font combinations that play well together
#HOW TO ADD FONT TO ADOBE XD DOWNLOAD#
You can download her free Adobe XD design file and font pack and explore first-hand how these techniques manifest in her design process, then leverage her beautiful designs in your own work. We spoke with her at her design studio in Belgium to find out how she went about selecting fonts for her Adobe Font pack, and asked her to share some insightful tips and techniques for choosing fonts, creating brand character through type, and reimagining how we see letterforms. Veerle Pieters is a talented graphic designer and author who knows a thing or two about picking the right typeface. What do you need to keep in mind to pick fonts that both look great and foster a good user experience across multiple screen sizes and devices? What about proper font selection for a seamless user experience, end-to-end? And what’s the best approach for pairing congruous font combinations? With more than 1,000 fonts to choose from in Adobe Fonts, finding the perfect combination of typefaces to create winning designs can be a challenge.
